Showing posts with label Jorgensen. Show all posts
Showing posts with label Jorgensen. Show all posts

Wednesday, September 8, 2010

Some things to look forward to at Jorgensen this year


(Pink Martini. Photo from pinkmartini.com.)

Tickets went on sale this week for all the fall performances at Jorgensen on the UConn campus. As an undergraduate living on campus, I took advantage of the student discount all the time. Now, I'm going back for both nostalgia's sake and because there are some great acts that don't come around here often.

I actually just got my tickets to Pink Martini on Nov. 6 and Rufus Wainwright, who's performing Dec. 10-11. I think the last time Pink Martini performed close to Connecticut, the concert was in New Jersey and pretty expensive. I definitely need to see them for their orchestral music that really blends everything you want from jazz, Latin, classical and pop for playing around your house, in the car, and while studying. It's sure to be an amazing show.

The Jorgensen fall schedule is as follows:
Orpheus Chamber Orchestra Oct. 15
Pink Martini Nov. 6
The Seasons Project: Venice Baroque Orchestra Nov. 9
Michael J. Fox Nov. 10
Cedar Lake Contemporary Ballet Nov. 12
Raj Patel: Stuffed and Starved Nov. 15
Merchants of Bollywood Nov. 19 – 20
Boston Pops Holiday Concert Dec. 4
Rufus Wainwright Dec. 10 – 11

For more information, go to the Jorgensen website: http://jorgensen.uconn.edu/

Sunday, February 21, 2010

Matinee shows are awesome!

Just a few updates all rolled into one blog post.

Went to the Mates of State and M.T. Bearington matinee show at The Space on Saturday afternoon, and it was tons of fun. (I was really close and could have gotten a photo, but my phone died because I forgot to charge it the night before!) Anyway, because it was a home show for Mates of State husband-and-wife duo Jason Hammel and Kori Gardner, they were able to bring their kids, and lots of friends and family made it out. We got there around 3 and noticed there were a lot more kids than usual. We also couldn't help but gush over an adorable kid in a Mates of State shirt enjoying his root beer. Then we realized the home show/matinee atmosphere was perfect for friends and family, both young and old, to come. Aha! The show was awesome. M.T. Bearington rocked it. I bought one of their CDs at a Toad's Place show, but I only thought of this on Saturday: They kind of sound like Modest Mouse, except not as wacky. I like it. Then the Mates of State definitely had fun, playing lots of familiar stuff and some new songs that as danceable as ever. For a new dance song, they even brought up their daughter Maggie on stage and some of her classmates, including the one who enjoyed his root beer. Another bonus? It wasn't even 7 by the time we left! It felt much later because we had already done so much that day and went to a concert, but we still had so much time left in the day. Sweet deal.

And I never reviewed the Girl Talk show. We didn't end up in the general admission pit, but the balcony wasn't that bad. Sure, we were dancing in our seats and really far away, but there were some good parts. I never heard of Black Violin before, but they were the perfect openers for Girl Talk. They played violins over some hip hop and pop songs, and it was pretty cool. They also showed off their classical violin skills. Then Girl Talk came out with a lot of variations of his old mixes and some new stuff. Interesting point: Girl Talk is limited by the music that's out already. He doesn't call himself a DJ, but he "composes" music by mashing up songs. I saw him over a year ago, and I have two of his albums on my iPod, but those are kind of older. Seeing him live last week was pretty cool because he could play some Lady Gaga songs and mix Miley Cyrus' "Party in the USA" with Snoop Dogg. We weren't dancing in the pit, but it ended up being for the better. We didn't get hot or faint, and we could get drinks without trudging through a thick crowd. (A lot of people snuck in/pushed through to the downstairs after the opener.)

Next stop: Bela Fleck - The Africa Project at Jorgensen this Thursday.

Wednesday, January 27, 2010

Girl Talk Ticket Craze at UConn

(Photo from joonbug.com)

Girl Talk tickets went on sale to UConn students today for his Feb. 13 show at Jorgensen. When I heard the news yesterday, I freaked out. Girl Talk shows are sick. Everyone goes up on stage. Everyone goes crazy. And his music is just a lot of fun. Girl Talk says he's not a DJ, but he mixes songs in incredible ways. You get well-known and obscure rap mixed with oldies and pop songs in all his mash-ups, and it's all ridiculously danceable.

So here's the deal: General admission tickets are $20 for students, $30 for non, and balcony seats are $20 for students, $10 for non. They went on sale to students this morning at 11, and they're on sale to the public Friday at 11. The show is Saturday, Feb. 13 at 8 p.m. at the Jorgensen theater on the UConn campus in Storrs.

And now here's the bad news: We got stuck with balcony seats because there was a crazy line at the Jorg, and by the time our friend got up to the window to buy tickets, general admission was sold out! We won't get the full-effect of a Girl Talk show since we'll be in seats, but I think we can make the most of it. Also, we're not giving up on trying to get general admission, so I'll be on the lookout for people selling them.

And now here's the ironic part: I saw Girl Talk at Trinity College in Hartford just over a year ago, and it was crazy fun, despite some security/finding a way home issues. Looking back on my review, it looks like I was rambling a lot, so excuse me for that, but if you're interested in seeing how the show went at Trinity, check it out here: http://freesiasingngam.blogspot.com/2008/09/926-girl-talk.html.

And let me just point out that the show at Trinity was free for students and $5 for non-students, and the field house venue wasn't nearly full. Either Girl Talk has since blown up or UConn students just have good taste in music. It sucks that we couldn't get general admission tickets and get the full effect, but taking a step back, it's pretty cool that Girl Talk is getting this response.

Monday, October 12, 2009

Arlo Guthrie - Oct. 9

This was my second time seeing Arlo Guthrie at Jorgensen, and I think he was much better the first time.


(Sorry for the crappy photo from my phone. Maybe we can just consider the washed-out faces artsy.)

When he came to UConn my sophomore year, he was on tour with family members, but not the whole family like he was this time - my first year out of undergrad. Without the whole family, he was able to tell more stories and play more of his songs, including the big one: "Alice's Restaurant."

He didn't play "Alice's Restaurant" or even "The Motorcycle Song" this time, despite requests from the audience. In fact, he let his grandson sing some kind of John Mayer-style love song to a girl he loved to watch sleep. It would have been OK, if his family members didn't have to be his back-up singers. At least that was the only song he did.

The idea of a family tour was kind of weird. Yes, last time, he did have his children play as his back-up band. This time, though, his young grandchilren were brought out to sing songs for an upcoming children's album, and you could tell some of them didn't want to be there. Also, you could tell which daughter was the favorite because she smiled the most and laughed the hardest at all Arlo's jokes, while the other two were just there. Three years ago, the young children were just brought on stage to sing Woody Guthrie's "This Land Is Your Land." They did that again this time, and then some.

The family aspect was a bit too much, and I think I'm good on seeing any Arlo Guthrie and family shows for a while.

Friday, February 13, 2009

2/12 Darwin's Meditation for the People of Lincoln

I don't think I've ever thought of a concert as a work of art, but "Darwin's Meditation for the People of Lincoln" was exactly that.

The piece featured Daniel Bernard Roumain (DBR), who can really shred a violin. If you didn't think rocking out on a violin was possible, listen to DBR, man. I don't want to call it just a show because it was an entire composition with several elements coming together to celebrate the 200th birthday of Charles Darwin and Abraham Lincoln, who were born just hours apart. It included narratives that juxtaposed Darwin and Lincoln's lives together, and the music varied from passionate salsa to soulful funk to emotional classical music. It all came together perfectly, and UConn was really lucky to have gotten this show on the day of Darwin and Lincoln's actual birthday.

Sunday, February 8, 2009

2/7 - Eve 6

I wish I brought a camera to have a photo for this post, but the show was right after a men's basketball game, so I was kind of on-the-go and forgot to bring one.

Anyway, Eve 6 brought back memories of being in seventh grade and mad at the world singing along to "Inside Out." It brought back memories of loving "Here's to the Night" because it's how we feel when we're "embarrassingly sentimental" as lead singer Max Collins described it. It was good. I haven't really listened to them in a while, so I was really surprised to see how many songs I actually knew and could sing along to. I have a feeling everyone else in the audience was feeling the same thing because it seemed that everyone could sing along to their radio singles and TRL hits. It took the band at least a song or two to get going, I think, because after a while, they really got into the songs, singing and playing a little harder. That just wasn't the case with the first two songs. The band did everything right, though. If they needed time to warm up and get into the show, they were right to play a few songs before the singles that everyone wants to rock out to. Actually, come to think of it, maybe it was the singles that everyone sang along to that pumped the band up. Either way, the show got better through the set. Also, I love when bands rotate new songs with old popular ones because it really keeps the crowd going, and Eve 6 did that.

Lights Resolve opened for them with a long set, and they just didn't do it for me. I mostly wanted it to end. One of the drums was mic'd too closely, and despite the singer describing one song as a dance tune that you'd "shake your ass" to, it still sounded pretty "I'm trying to be rock, and really, I can only head bang to this even though it's not really that hardcore and what you'd think to head bang to," which was pretty much what all their songs were. Also, there was a lot of "Oh Oh Oh"-ing to the songs, and lyrics that were trying too hard to be emotional and spiritual like "the angel cries oh oh oh oh [etc]."

Monday, February 2, 2009

1/30 Colin Mochrie and Brad Sherwood

This was my second time seeing these "Whose Line?" guys at Jorgensen, and it was still pretty funny. Even with the same basic show, the material was different because it was improv. (I can't say the same for Lewis Black, who was funny, but seeing him the second time was just too predictable.) Mochrie and Sherwood still did the "guess the crime" that the audience made up gig, and it's totally worth the 25 minutes it takes to play this game because Sherwood got Mochrie to say, word for word, that he was wearing lederhosen, duct tape and handcuffs and that he retrieved a gerbil and painted black spots on cows. I don't even remember the wacky town name he was able to get from Sherwood's clues. So that part was fun. But when they walked on mousetraps, it was kind of the same as last time, and that part, plus some others, was funnier the first time seeing it.

Monday, November 17, 2008

Summary of Most of November

I am very happy about the election of Barack Obama.
Election Day was nerve racking.
We had a great Election Day party.
We went to see Rockapella 2 days later.
That was pretty cool, especially since they sang the Folgers' theme song and "Where in the World is Carmen Sandiego?"
I had a real hankering to watch "Where in the World is Carmen Sandiego?"
And then the last weeks before Thanksgiving break happened, so I was swamped in school work, which meant that I couldn't fully blog about all this.
And did I mention that I was really happy about Election Day?

Tuesday, October 28, 2008

10/28 Branford Marsalis

I can't imagine what the Marsalis household must have been like back when the kids were younger in their New Orleans home. Branford is a world-renowned saxophonist, and the family is full of distinguished musicians including his brother Wynton Marsalis, his other brothers Delfeayo and Jason, and their father, Ellis. It must have been pretty loud - entertaining, but probably loud.

Branford performed with his group, "Marsalis Brasilianos," featuring members of the Philarmonia Brasileira, at the Jorgensen Center for Performing Arts Tuesday night on campus. The show featured a variety of both instrumentation and styles of music, and it was an experience in itself. The musicians were incredibly talented, and they were able to showcase that.

Branford was the main soloist, and most likely the main reason why most of the audience attended the show, but while he had some incredible solos, he didn't outshine the rest of the musicians, which was nice. The first piece was played by only a small orchestra, and Branford came out afterward with a few other musicians for the next one. The charts went from exciting and invigorating to calming to jazzy. At any given point, it could have felt like being at a classical concert, riding on the train in the city, traveling through New Orlean's jazz district, taking a trip to the Carribbean, or relaxing at the end of the day.

Branford performed "Scaramouche for Saxophone (alto) and Piano Op. 165 c," composed by Darius Mihaud, and this, especially, showed his talent. He effortlessly nailed several sixteenth-note runs and varied it with both rhythmic beats and even speedier runs. The piece had three very different-feeling movements, and Branford's talent just shined through in every one of them -- actually, it did in the entire show.

Monday, October 20, 2008

10/17 The Guerilla Girls

I have been fascinated by the Guerilla Girls' movement since I learned about them in a women's studies class freshman year. Who were these women in gorilla masks? How were they so funny?

I've noticed their posters around New York City a few times, and I love what they have to say. Basically, they're feminists who want more equality in the art world. They wear gorilla masks and take the names of dead female artists to remain anonymous and focus the attention on their cause, not themselves. Their posters and advertisements highlight that most of the artists in major museums are white men. They also note that film awards often go to white men. They pretty much shout these statistics out in their posters, and by doing so, they call for social change.

The Guerilla Girls event, or demonstration, at the Jorgensen Center for Performing Arts at UConn included a video introduction of various Guerilla Girls in protests and just doing wacky things around cities with their posters and how much their work has raised awareness. Then they talked about their books and laid out some more statistics, always using humor. They asked the audience members to raise their hands if they would call themselves a feminist, and they got an overwhelmingly majority of hands and cheers - though, most of the people who would see them, especially when you had to buy tickets, would already be fans. The fact is, few people want to call themselves feminists because the word has such a negative connotation. A lot of people think that the word "feminist" applies to radical feminists or man-haters, but really, a feminist supports women and issues like the right to choose an abortion, equal pay for equal work and equal representation in career fields.

My favorite line of the night came when they showed a color-coded threat-level chart, much like the one that is used for the state of our national security. In this case, they offered levels of women's rights security. One of the highest threats included the government believing that abstinence was the best form of contraception and only teaching this in schools. In response to reading this one out loud, one of the Guerilla Girls said, "and let's not elect a vice president who believes this." On the Palin issue, while they didn't seem happy with Palin calling herself a "feminist," one of them did note that Palin has never apologized for being both a politician and a mother, which is a good thing.

The event was just a fun time, filled with laughs about stereotypical dolls and expectations of women, and I left feeling pretty good about being a feminist.

Sunday, September 28, 2008

9/27 -- Ben Folds

Ben Folds took a huge risk by playing nothing but new songs in the first set, then coming back for the encore to play old stuff. Still, his UConn fans seemed to buy it there in Jorgensen Center for Performing Arts.

The first half of the show was kind of a shock to everyone because it was all new, and what made it even more confusing was the fact that Ben Folds made two albums, a real one and a fake one, with songs of the same name. It was hard to tell which songs were real and fake, since he usually adds humor into his music. Some of the "fake" songs, about breaking up and wanting to kill yourself or bringing a crazy liberal "Jane fucking Fonda, Jr." to a Republican law firm Christmas party, were better than the "real" versions.

The crowd seemed pretty relieved when Folds came back for an encore and played old, familiar songs. It really kept them interested, and I realized that my favorite shows were ones where the band switched between new and old songs at appropriate times, bringing the crowd back in for each one.

I've always felt that you really need to go to a concert before you can actually get into a band. Seeing them live brings the music appreciation to a whole new level - it's when you can truly decide how good they are. Folds had to be pretty confident in himself to play an entire set of new songs to a lot of fans who were still in a state of limbo in deciding whether or not to be a big fan.